How To Count/Feel Septuplets PLUS Nasty Flams And Double Bass!

http://www.AaronEdgarDrum.com/pdf/septuplets1.pdf * FREE .pdf download

In this lesson we discuss a very important counting method for septuplets (Groups of seven notes per quarter). We go over how I teach feeling them and a few highly effective practice drills.

The practice pad is an HQ on top of a 14×6 Sonor SQ2 Maple Medium in Bubinga. Vater Virgil’s Assault drumsticks.

The drumset in this video is : Sonor SQ2 Beech Vintage, Makassar Ebony with different SQ2 snares.

~Aaron

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Comments

  1. gay naga? oh well guess i play too much WoW.

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  12. [..YouTube..] gay naga? oh well guess i play too much WoW.

    • 1fox3
    • April 26, 2011

    gay naga? oh well guess i play too much WoW.

  13. migh give it a try 😛

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  20. [..YouTube..] migh give it a try 😛

    • Luuk Meijwaard
    • April 26, 2011

    migh give it a try 😛

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  38. [..YouTube..] This stuff is crazy. Seriously, no on else talks about this stuff! Loved the ending, haha.

    • LukeSnyderMusic
    • April 26, 2011

    This stuff is crazy. Seriously, no on else talks about this stuff! Loved
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  56. [..YouTube..] Thanks so much guys! I’m glad I’m not the only guy that likes this kinda stuff!

    • aaronedgardrum
    • April 26, 2011

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  57. Gay niggah.

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  60. [..YouTube..] Gay niggah.

    • chainsawcarroll
    • April 26, 2011

    Gay niggah.

  61. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  62. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  63. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  64. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  65. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  66. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  67. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. :P

  68. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  69. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  70. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  71. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  72. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  73. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  74. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  75. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  76. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  77. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  78. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  79. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  80. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  81. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  82. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  83. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  84. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  85. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  86. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  87. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  88. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  89. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  90. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  91. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  92. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  93. @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  94. [..YouTube..] @chainsawcarroll haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  95. [..YouTube..] haha yeah, I knew that was going to get some sort of reaction. But it’s a REALLY effective way to count it… If of course you can get over it being funny. 😛

  96. That guy on the far left scares me.

  97. That guy on the far left scares me.

  98. That guy on the far left scares me.

  99. That guy on the far left scares me.

  100. That guy on the far left scares me. 

  101. That guy on the far left scares me.

  102. That guy on the far left scares me.

  103. That guy on the far left scares me.

  104. That guy on the far left scares me.

  105. That guy on the far left scares me.

  106. [..YouTube..] That guy on the far left scares me.

    • armanrei
    • April 26, 2011

    That guy on the far left scares me.

  107. Boomywang is not big enough

  108. Boomywang is not big enough

  109. Boomywang is not big enough

  110. Boomywang is not big enough

  111. Boomywang is not big enough

  112. Boomywang is not big enough

  113. [..YouTube..] Boomywang is not big enough

    • SkeletorElector
    • April 26, 2011

    Boomywang is not big enough

  114. @SkeletorElector It’s the biggest one in existence! lol

  115. @SkeletorElector It’s the biggest one in existence! lol

  116. @SkeletorElector It’s the biggest one in existence! lol

  117. @SkeletorElector It’s the biggest one in existence! lol

  118. @SkeletorElector It’s the biggest one in existence! lol

  119. @SkeletorElector It’s the biggest one in existence! lol

  120. @SkeletorElector It’s the biggest one in existence! lol

  121. @SkeletorElector It’s the biggest one in existence! lol

  122. @SkeletorElector It’s the biggest one in existence! lol

  123. [..YouTube..] @SkeletorElector It’s the biggest one in existence! lol

  124. [..YouTube..] It’s the biggest one in existence! lol

  125. faces at 3:25-3:35 are 100% necessary

  126. faces at 3:25-3:35 are 100% necessary

  127. faces at 3:25-3:35 are 100% necessary

  128. faces at 3:25-3:35 are 100% necessary

  129. faces at 3:25-3:35 are 100% necessary

  130. faces at 3:25-3:35 are 100% necessary

  131. faces at 3:25-3:35 are 100% necessary

  132. [..YouTube..] faces at 3:25-3:35 are 100% necessary

    • Speedsta14
    • April 30, 2011

    faces at 3:25-3:35 are 100% necessary

  133. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  134. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  135. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  136. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  137. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  138. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  139. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  140. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  141. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  142. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  143. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  144. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  145. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  146. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  147. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  148. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  149. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  150. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  151. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  152. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  153. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  154. @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  155. [..YouTube..] @Speedsta14 haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

  156. [..YouTube..] haha! that really is a stupid look I had on my face bahah. I didn’t even notice! Go drummer faces!

    • aaronedgardrum
    • May 2, 2011

    @Speedsta14 haha! that really is a stupid look I had on my face bahah. I
    didn’t even notice! Go drummer faces!

  157. That boomywang is monumental.

  158. That boomywang is monumental.

  159. That boomywang is monumental.

  160. That boomywang is monumental. 

  161. That boomywang is monumental.

  162. That boomywang is monumental.

  163. [..YouTube..] That boomywang is monumental.

    • Paul Bauer
    • August 22, 2011

    That boomywang is monumental.

  164. @axedstoninst It’s the largest Boomywang in existence by an inch 😀

  165. @axedstoninst It’s the largest Boomywang in existence by an inch 😀

  166. @axedstoninst It’s the largest Boomywang in existence by an inch 😀

  167. @axedstoninst It’s the largest Boomywang in existence by an inch 😀

  168. @axedstoninst It’s the largest Boomywang in existence by an inch 😀

  169. @axedstoninst It’s the largest Boomywang in existence by an inch 😀

  170. @axedstoninst It’s the largest Boomywang in existence by an inch 😀

  171. @axedstoninst It’s the largest Boomywang in existence by an inch 😀

  172. @axedstoninst It’s the largest Boomywang in existence by an inch 😀

  173. @axedstoninst It’s the largest Boomywang in existence by an inch 😀

  174. @axedstoninst It’s the largest Boomywang in existence by an inch :D

  175. @axedstoninst It’s the largest Boomywang in existence by an inch 😀

  176. [..YouTube..] @axedstoninst It’s the largest Boomywang in existence by an inch 😀

  177. [..YouTube..] It’s the largest Boomywang in existence by an inch 😀

    • aaronedgardrum
    • August 25, 2011

    @axedstoninst It’s the largest Boomywang in existence by an inch 😀

  178. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  179. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  180. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  181. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  182. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  183. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  184. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  185. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  186. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  187. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  188. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  189. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  190. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard - you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  191. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  192. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  193. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately. 

  194. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  195. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  196. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  197. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  198. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  199. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  200. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  201. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  202. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  203. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  204. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  205. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  206. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  207. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  208. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  209. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  210. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  211. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  212. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  213. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  214. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  215. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  216. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  217. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  218. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  219. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  220. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  221. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  222. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  223. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  224. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  225. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  226. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  227. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  228. not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

  229. [..YouTube..] not sure if this gets the point across beyond an extremely basic level. ultimately these exercises seem more like a gateway to jamming in 7/8 time rather than dealing with quintuplet increments. 7:1 is not hard – you just have to accent the one. i would like an exercise for dealing with 7:2 or 7:4 . . . that’s when things get a lot tougher. then you know if you’re playing a real septuplet or not. cramming 7 beats into a slow downbeat isn’t really that hard ultimately.

    • nonwave1
    • August 29, 2011

    not sure if this gets the point across beyond an extremely basic level.
    ultimately these exercises seem more like a gateway to jamming in 7/8 time
    rather than dealing with quintuplet increments. 7:1 is not hard – you just
    have to accent the one. i would like an exercise for dealing with 7:2 or
    7:4 . . . that’s when things get a lot tougher. then you know if you’re
    playing a real septuplet or not. cramming 7 beats into a slow downbeat
    isn’t really that hard ultimately.

  230. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  231. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  232. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  233. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  234. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  235. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  236. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  237. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  238. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  239. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  240. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  241. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  242. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  243. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  244. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  245. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  246. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  247. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  248. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  249. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  250. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  251. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  252. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  253. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  254. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  255. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  256. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  257. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  258. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  259. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  260. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  261. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  262. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  263. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  264. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  265. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  266. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  267. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  268. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  269. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  270. @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered. 

  271. [..YouTube..] @nonwave1 Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  272. [..YouTube..] Hey man, to clarify, this is the first of two septuplet intro videos that are meant as a precursor to my septuplet based polyrhythm videos that are coming up in my polyrhythm series in the not too distant future. Where, 7 over 2 and 7 over 4 are a couple of the rhythms covered.

  273. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  274. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  275. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  276. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  277. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  278. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  279. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  280. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about ;)

    Thanks for the comment man! 🙂

  281. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  282. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  283. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  284. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  285. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  286. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  287. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  288. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  289. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  290. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  291. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  292. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! :)

  293. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  294. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  295. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  296. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  297. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  298. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  299. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  300. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  301. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  302. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  303. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  304. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  305. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  306. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  307. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  308. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  309. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  310. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  311. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  312. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  313. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  314. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  315. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  316. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  317. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  318. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  319. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  320. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  321. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  322. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  323. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  324. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  325. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  326. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  327. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  328. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  329. @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  330. [..YouTube..] @nonwave1 (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

  331. [..YouTube..] (2) I do actually go far beyond accenting the one in a seven number which does take it beyond the extreme basic example at the beginning you’re talking about. Most importantly noted in the video and PDF is that you need to work these in and out of more common subdivisions. Which eliminates the 7/8ness of some of the examples.

    Either way, this one of two intro videos leading to exactly what you’re talking about 😉

    Thanks for the comment man! 🙂

    • aaronedgardrum
    • August 29, 2011

    @nonwave1 (2) I do actually go far beyond accenting the one in a seven
    number which does take it beyond the extreme basic example at the beginning
    you’re talking about. Most importantly noted in the video and PDF is that
    you need to work these in and out of more common subdivisions. Which
    eliminates the 7/8ness of some of the examples. Either way, this one of two
    intro videos leading to exactly what you’re talking about 😉 Thanks for the
    comment man! 🙂

  332. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  333. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  334. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  335. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  336. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  337. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  338. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  339. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  340. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  341. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  342. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  343. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  344. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  345. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  346. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  347. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  348. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  349. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  350. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  351. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  352. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  353. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  354. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  355. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  356. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  357. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  358. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  359. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  360. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  361. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  362. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  363. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  364. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  365. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  366. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  367. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  368. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  369. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  370. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  371. @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  372. [..YouTube..] @aaronedgardrum got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  373. [..YouTube..] got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

    • nonwave1
    • August 29, 2011

    got it. i will definitely be checking out those videos. i’m working on a composition where i have to deal with 7:4, 5:3 and 5:2 . . . should be interesting. i can feel the rhythms to a certain extent, but definitely need to nail down the polyrhythmic aspect of it . . . cheers.

  374. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  375. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  376. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  377. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  378. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  379. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  380. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  381. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  382. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  383. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  384. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  385. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  386. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  387. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  388. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  389. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  390. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  391. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! :)

  392. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  393. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  394. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  395. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  396. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  397. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  398. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  399. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  400. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  401. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  402. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  403. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  404. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  405. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  406. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  407. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  408. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  409. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  410. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  411. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  412. @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  413. [..YouTube..] @nonwave1 That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  414. [..YouTube..] That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

    • aaronedgardrum
    • August 29, 2011

    That’s awesome man! I’d love to hear that when you’ve got it nailed down! If you ever wanna chat theory or get an outside opinion on how to approach that kinda stuff I’m ALWAYS down for geek talkin’! Hit me up! 🙂

  415. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  416. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  417. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  418. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  419. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  420. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  421. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  422. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  423. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  424. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  425. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  426. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  427. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  428. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  429. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  430. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  431. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  432. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R - Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  433. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  434. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  435. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  436. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  437. @nonwave1 @aaronedgardrum  Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  438. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  439. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  440. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  441. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  442. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  443. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  444. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  445. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx
    

  446. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  447. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  448. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  449. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  450. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) - Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  451. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X - silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  452. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  453. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  454. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  455. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  456. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  457. @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  458. [..YouTube..] @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  459. [..YouTube..] @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

    • 1000BrokenKeys
    • September 17, 2011

    @nonwave1 @aaronedgardrum Hi guys, I found a solution (works for me) for such polyrhythms here is the formula:
    R – Right hand
    L – Left hand
    (LR) – Left and Right together
    X – silent counting
    5×3=15 you need 15 beats to return to one
    5(triplets) beats within 3 beats.
    (LR)xx LxR Lxx LRx Lxx
    3 ( quintublets) beats within 5 beats
    (RL)xxLx RLxxL RXLxx

  460. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  461. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  462. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  463. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  464. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  465. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  466. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  467. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  468. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  469. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  470. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  471. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  472. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  473. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  474. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  475. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  476. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  477. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  478. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  479. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  480. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  481. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  482. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  483. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  484. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  485. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  486. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  487. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  488. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  489. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  490. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  491. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  492. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  493. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  494. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  495. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  496. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  497. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  498. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  499. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  500. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  501. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  502. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  503. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  504. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  505. @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  506. [..YouTube..] @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

    • 1000BrokenKeys
    • September 17, 2011

    @nonwave1 @aaronedgardrum another polyrhythm I worked on was 5 within 4 beats and 4 within 5 beats. 5×4=20
    I drew up a line on paper and equaly devided it into required number of beats within the whole loop and marked down first beat of each group of notes per hand.
    I also worked on 7×5=35 beat loop and this one doesnt sound
    like a rythm, it kind of mimics the arytmic sound of the rain water dripping off the roof… Kind of mental exercise.

  507. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  508. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  509. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  510. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  511. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  512. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  513. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  514. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  515. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  516. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  517. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  518. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  519. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  520. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  521. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  522. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  523. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  524. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  525. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  526. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  527. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  528. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  529. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  530. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  531. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  532. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  533. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  534. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  535. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  536. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  537. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  538. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  539. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  540. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  541. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  542. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  543. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  544. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  545. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  546. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  547. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  548. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  549. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  550. @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  551. [..YouTube..] @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

    • 1000BrokenKeys
    • September 17, 2011

    @nonwave1 @aaronedgardrum of course One can get more complicated with accenting different notes of the note groups but one has to start somewhere.I tried to justify the correctness by maths to explain such polyrhythms to myself because relying just on trying to cram two different rhythms into each other without knowing exactely where to place accents, everything would become an uncertain mush in my case. Let me know if its working out for you.

  552. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  553. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  554. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  555. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  556. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  557. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  558. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  559. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  560. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  561. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  562. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  563. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  564. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  565. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  566. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  567. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! :)

  568. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  569. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  570. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  571. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  572. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  573. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  574. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  575. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  576. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  577. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  578. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  579. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  580. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  581. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  582. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  583. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  584. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  585. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  586. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  587. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  588. @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  589. [..YouTube..] @1000BrokenKeys Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  590. [..YouTube..] Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

    • aaronedgardrum
    • September 18, 2011

    Man, I’m diggin’ your approach! Cool! I’m not sure if I completely got your written example of what you were doing though, could you make a video of it? Or write it up in actual notation for me to see? I’m really interested and I’d love to hear it ! 🙂

  591. [..YouTube..] Wow, you did loose a lot of weight lol. It’s in the face mostly haha.
    Keep it up!!

    • adrianxinx210
    • December 19, 2011

    Wow, you did loose a lot of weight lol. It’s in the face mostly haha.
    Keep it up!!

  592. [..YouTube..] @adrianxinx210 lmao thanks! I’m pretty sure the nearly 50 pounds didn’t come just from my face haha. There was a bunch of stomach, butt and everywhere else contributing lmao.

  593. [..YouTube..] lmao thanks! I’m pretty sure the nearly 50 pounds didn’t come just from my face haha. There was a bunch of stomach, butt and everywhere else contributing lmao.

    • aaronedgardrum
    • December 19, 2011

    lmao thanks! I’m pretty sure the nearly 50 pounds didn’t come just from my face haha. There was a bunch of stomach, butt and everywhere else contributing lmao.

  594. [..YouTube..] @aaronedgardrum but god damn dude, you’re right… I haven’t actually watched any of my older videos in months. It’s pretty bad lol

  595. [..YouTube..] but god damn dude, you’re right… I haven’t actually watched any of my older videos in months. It’s pretty bad lol

    • aaronedgardrum
    • December 19, 2011

    but god damn dude, you’re right… I haven’t actually watched any of my older videos in months. It’s pretty bad lol

  596. [..YouTube..] God damn it, you’re a badass… How is your technique so perfect? Like, your daily schedule?

    • TheKylesauce
    • March 4, 2012

    God damn it, you’re a badass… How is your technique so perfect? Like, your daily schedule?

  597. [..YouTube..] @TheKylesauce hahah thanks man 🙂 You’re going to absolutely hate my answer to this question. I literally haven’t practiced a single note in the past two years. It’s a new years resolution of mine to get back to serious practice. I used to be an 8 hour a day guy, then I got super busy and just kinda fell off the wagon.

  598. [..YouTube..] hahah thanks man 🙂 You’re going to absolutely hate my answer to this question. I literally haven’t practiced a single note in the past two years. It’s a new years resolution of mine to get back to serious practice. I used to be an 8 hour a day guy, then I got super busy and just kinda fell off the wagon.

    • aaronedgardrum
    • March 4, 2012

    hahah thanks man 🙂 You’re going to absolutely hate my answer to this question. I literally haven’t practiced a single note in the past two years. It’s a new years resolution of mine to get back to serious practice. I used to be an 8 hour a day guy, then I got super busy and just kinda fell off the wagon.

  599. [..YouTube..] @aaronedgardrum Oh wow! To be that good without practice… sigh. Well, I’ve played on and off for a few years as a hobbie, but I’ve really wanted to kick it up a notch lately. Trying to get a daily technique/practice schedule together.

  600. [..YouTube..] Oh wow! To be that good without practice… sigh. Well, I’ve played on and off for a few years as a hobbie, but I’ve really wanted to kick it up a notch lately. Trying to get a daily technique/practice schedule together.

    • TheKylesauce
    • March 5, 2012

    Oh wow! To be that good without practice… sigh. Well, I’ve played on and off for a few years as a hobbie, but I’ve really wanted to kick it up a notch lately. Trying to get a daily technique/practice schedule together.

  601. [..YouTube..] @TheKylesauce That’s awesome man! Daily practice is super important, I started getting back into it over the past few days, I can’t believe I took so much time off. It was lame of me. 😛

  602. [..YouTube..] That’s awesome man! Daily practice is super important, I started getting back into it over the past few days, I can’t believe I took so much time off. It was lame of me. 😛

    • aaronedgardrum
    • March 15, 2012

    That’s awesome man! Daily practice is super important, I started getting back into it over the past few days, I can’t believe I took so much time off. It was lame of me. 😛

  603. [..YouTube..] Awesome, I’ve been counting to 7 for years. This is much better. I’m going to get a big black sharpie and write this on my wall. Thanks so much.
    – Jim Dooley

    • JimCDooley
    • May 28, 2012

    Awesome, I’ve been counting to 7 for years. This is much better. I’m going to get a big black sharpie and write this on my wall. Thanks so much.
    – Jim Dooley

  604. [..YouTube..] That’s awesome man! How did it work out for ya? 😀

    • aaronedgardrum
    • June 20, 2012

    That’s awesome man! How did it work out for ya? 😀

  605. [..YouTube..] Well, I never did get to the sharpie thing, but my 8 year old daughter is walking around repeating it and the quintuplet version. – Thanks

    • JimCDooley
    • June 20, 2012

    Well, I never did get to the sharpie thing, but my 8 year old daughter is walking around repeating it and the quintuplet version. – Thanks

  606. [..YouTube..] haha awesome

    • aaronedgardrum
    • June 21, 2012

    haha awesome

  607. [..YouTube..] This is awesome! Thanks so much.

    • Nate Prophet
    • July 17, 2012

    This is awesome! Thanks so much.

  608. [..YouTube..] Any time man! I’m stoked you dig it 😀

    • aaronedgardrum
    • July 19, 2012

    Any time man! I’m stoked you dig it 😀

  609. [..YouTube..] Hey Aaron, great explanation of septuplets. The syllables definitely helped. I was trying to play continuous septuplets to a simple 8th note drum loop, and was having trouble lining up to the upbeat 8th notes (“and”). Are there any notes in the septuplet that land right on the upbeat? If not, how do the two line up?

    • zeramski
    • July 25, 2012

    Hey Aaron, great explanation of septuplets. The syllables definitely helped. I was trying to play continuous septuplets to a simple 8th note drum loop, and was having trouble lining up to the upbeat 8th notes (“and”). Are there any notes in the septuplet that land right on the upbeat? If not, how do the two line up?

  610. [..YouTube..] Ahh great question! Unfortunately the answer is no. The “and” lines up between “ah” and “gay” (I know that sounds hilarious) but that’s where it goes 😛

    • aaronedgardrum
    • July 25, 2012

    Ahh great question! Unfortunately the answer is no. The “and” lines up between “ah” and “gay” (I know that sounds hilarious) but that’s where it goes 😛

  611. [..YouTube..] 3:25 that stare 0_0 peering into my soul! Fantastic rudiment. I’m gonna go work on that! Thanks again for your work!

    • Kelavmeister
    • August 6, 2012

    3:25 that stare 0_0 peering into my soul! Fantastic rudiment. I’m gonna go work on that! Thanks again for your work!

  612. [..YouTube..] Aaron GREAT job, gonna start working on it ! Cheers frm Argentina : )

    • PajarosDeCristal
    • August 18, 2012

    Aaron GREAT job, gonna start working on it ! Cheers frm Argentina : )

  613. [..YouTube..] haha wow, ya that’s kinda creepy lmao

    • aaronedgardrum
    • August 19, 2012

    haha wow, ya that’s kinda creepy lmao

    • jeronimoringo
    • March 21, 2013

    just hit that giant hammerax thing!!!

    • popefictionable
    • March 21, 2013

    your videos on quintuplets and septuplets have helped me out a ton! I was just curious though, what kind of cymbals do you use???? completely unrelated question I know haha

    • Bradley Jon Sanders
    • May 2, 2013

    Genius!! Incredible lesson! Thank you!

    • esmod89
    • June 15, 2013

    Can you do a lesson on undecuplets or tredecuplets?

    • Cory LoSapio
    • February 15, 2014

    what is that cymbalyou use at the end? killer vid must try this

Comments are closed.