Your First 5 Steps to Metric Modulation Mayhem

Free .PDF transcription of playing examples : http://www.AaronEdgarDrum.com/pdf/metricmod2.pdf

In the first video of this series we spoke in depth about my concept of Metric Modulation both actual and implied. For those who don’t remember or didn’t see that video, yet. In Implied Metric Modulation we’re merely pretending to speed up or slow down by using a different sub division. For example playing a groove based in eighth notes, then playing the same physical pattern within eighth note triplets which would sound as if you sped up. The implied pulse works around our actual quarter note pulse. It’s an illusion. Alternately, when playing an Actual Metric Modulation we really are speeding up or slowing down in a way that is relative to our original tempo. If we use the same example described for implied, our faster beat would represent the new pulse and we would be at a new BPM.

(In all the examples of this video I’m approaching them as implied. You can decide how you want to use these. Any modulation can be applied either way.)

We’re going to touch on how the modulations can relate to polyrhythms in this video as well. Briefly, but it’s there. In the first three examples, they’re all based off the same type of phrasing. These first three all work from a three over two polyrhythm. If you were to play a three over two against the original groove in the video, when I switch over to the modulation, my implied pulse will directly correspond to your “three”.



As you can see, examples one through three are based off the same rhythmic concept using a couple different embellishments. Notice where the pulse notes (kicks on 1 and 3 and snares on 2 and 4) line up within the modulations. You can use this as framework to design your own feels!

The next example deals with a three over four polyrhythm based modulation. Taking a basic sixteenth note groove and applying it within an eighth note triplet subdivision.

Finally, we’ll do the opposite. Starting with a triplet based groove and implying a speed up via four over three in sixteenth notes!

All these concepts within the subdivisions chosen in this video are very simple once you break them down. Don’t take that as a reason to not bother with them, though. Getting these kind of modulations comfortable in your playing will do wonders for your applications when we break into the more challenging versions!

In this video I’m only going to show you basic physical examples of modulations. It’s up to you as the player to decide weather you want them to resolve naturally, or if you want to force them to resolve based on your phrasing. Same with if you want to dress up your transitions with fills or not. This is all stuff we’re going to talk about in future videos. I hinted at it in the original Metric Modulation Vs. Implied Metric Modulation video. If you can’t wait, just go ahead and try it!

Finally, before I sign off here, make absolutely sure you apply YOUR OWN grooves to these concepts! That’s where the real magic comes in! It’s one thing to read these ideas off a screen or a book. It’s entirely more personal when you take your own favourite grooves and slap them into a different subdivision! You’ll get way more mileage out of the concept when you make it your own.

That’s it for me today! Have fun with these and I’ll see you inside the next video!
~Aaron


404 Responses to “Your First 5 Steps to Metric Modulation Mayhem”

  1. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  2. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  3. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  4. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  5. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  6. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  7. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  8. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  9. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  10. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  11. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  12. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  13. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  14. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  15. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  16. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  17. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  18. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  19. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos :D

  20. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  21. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  22. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  23. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  24. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  25. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  26. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  27. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  28. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  29. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  30. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  31. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  32. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  33. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  34. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  35. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  36. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  37. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  38. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  39. Kupo700 says:

    [..YouTube..] I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  40. Kupo700 says:

    I’m no drummer, but I watch every one of your videos. They’ve really stepped up my song writing and have helped me get a fresh sound into my music (not stealing your grooves by the way :P). Thanks a lot man, awesome videos 😀

  41. kijkenify says:

    do you like those dark cymbals? cause I don’t -,-

  42. kijkenify says:

    do you like those dark cymbals? cause I don’t -,-

  43. kijkenify says:

    do you like those dark cymbals? cause I don’t -,-

  44. kijkenify says:

    do you like those dark cymbals? cause I don’t -,-

  45. kijkenify says:

    do you like those dark cymbals? cause I don’t -,-

  46. kijkenify says:

    do you like those dark cymbals? cause I don’t -,-

  47. kijkenify says:

    do you like those dark cymbals? cause I don’t -,-

  48. kijkenify says:

    do you like those dark cymbals? cause I don’t -,-

  49. kijkenify says:

    do you like those dark cymbals? cause I don’t -,-

  50. kijkenify says:

    do you like those dark cymbals? cause I don’t -,-

  51. kijkenify says:

    do you like those dark cymbals? cause I don’t -,-

  52. kijkenify says:

    [..YouTube..] do you like those dark cymbals? cause I don’t -,-

  53. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  54. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  55. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  56. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  57. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  58. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  59. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  60. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  61. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  62. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  63. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  64. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  65. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  66. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  67. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  68. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  69. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  70. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  71. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  72. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  73. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  74. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  75. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  76. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  77. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  78. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  79. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  80. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  81. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  82. deathwurst says:

    [..YouTube..] hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  83. deathwurst says:

    hi aaron we are very different,i dont think about what i play ,it only has to fit into the beat and the mood,but its interesting that everything seems to have a name

  84. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  85. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  86. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  87. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  88. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  89. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  90. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  91. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  92. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  93. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  94. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  95. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  96. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  97. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  98. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  99. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  100. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  101. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  102. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  103. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  104. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  105. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  106. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  107. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  108. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  109. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  110. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  111. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  112. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  113. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  114. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  115. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  116. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  117. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  118. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  119. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  120. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  121. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  122. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  123. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  124. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  125. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  126. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  127. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  128. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  129. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  130. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  131. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  132. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  133. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  134. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  135. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  136. Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  137. [..YouTube..] Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  138. aaronedgardrum says:

    Thanks a lot guys!

    And kijkenify : Yes, I actually do LOVE my extremely dark cymbal sounds. Bright sounds have always bothered me, I just can’t get into them. They kind of make me feel sick!

    That’s not to say there is anything wrong with them, it’s just not my sound. Hell, if we all liked the same stuff, we’d all sound the same and how boring would that be? It’s awesome that you don’t like it 😀 You have your OWN sound! 🙂

  139. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  140. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  141. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  142. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  143. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  144. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  145. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  146. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  147. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  148. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  149. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  150. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  151. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  152. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  153. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  154. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  155. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  156. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  157. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  158. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  159. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  160. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  161. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  162. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  163. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  164. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  165. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  166. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  167. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well. 

  168. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  169. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  170. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  171. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  172. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  173. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  174. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  175. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  176. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  177. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  178. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  179. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  180. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  181. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  182. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  183. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  184. bumzigan says:

    @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  185. bumzigan says:

    [..YouTube..] @aaronedgardrum Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  186. bumzigan says:

    [..YouTube..] Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  187. bumzigan says:

    Great response Aaron. I love how you are not precious with the some of the negative comments that goes with the Youtube territory. I myself would not use the same sounding cymbal setup you have, but it still sounds totally cool and is part of your sound and style. I agree, diversity is what makes it interesting.
    Great video, and thanks for taking the time to explain it so well.

  188. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  189. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  190. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  191. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  192. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  193. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  194. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  195. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  196. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  197. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  198. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  199. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything. 

  200. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  201. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  202. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  203. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  204. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  205. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  206. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  207. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  208. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  209. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  210. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  211. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  212. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  213. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  214. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  215. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  216. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  217. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  218. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  219. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  220. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  221. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  222. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  223. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  224. Hernandez048 says:

    [..YouTube..] Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  225. Hernandez048 says:

    Each cymbal has its own place in its musical context, without any musical context how can anyone “not like” his cymbal set-up? It might fit his band perfect where a Zildjian A custom might drown out everything.

  226. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  227. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  228. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  229. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  230. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  231. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  232. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  233. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  234. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  235. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  236. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  237. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  238. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  239. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  240. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  241. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  242. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  243. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  244. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  245. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  246. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  247. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  248. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  249. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  250. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  251. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  252. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  253. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  254. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  255. kindbeats says:

    [..YouTube..] In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  256. kindbeats says:

    In before @thelinedrummer gets here and leaves a comment about how nobody is as awesome as Mike Johnston and how it was actually Mike Johnston that invented soft-serve ice cream. Great job Aaron!

  257. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  258. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  259. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  260. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  261. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  262. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  263. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  264. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  265. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  266. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  267. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  268. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  269. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  270. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  271. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  272. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  273. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  274. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  275. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  276. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  277. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  278. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  279. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  280. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  281. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  282. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  283. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  284. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  285. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  286. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  287. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  288. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  289. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  290. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  291. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  292. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  293. HaroldDrums says:

    [..YouTube..] Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  294. HaroldDrums says:

    Great job on these videos. You explain these difficult concepts in a simple and understandable way. And about your dark cymbal sounds, I like them. They aren’t something I would personally go for, but they give your kit a really unique voice.

  295. geoff1424 says:

    awesome vid, so sweet!

  296. geoff1424 says:

    awesome vid, so sweet!

  297. geoff1424 says:

    awesome vid, so sweet!

  298. geoff1424 says:

    awesome vid, so sweet!

  299. geoff1424 says:

    awesome vid, so sweet!

  300. geoff1424 says:

    [..YouTube..] awesome vid, so sweet!

  301. geoff1424 says:

    awesome vid, so sweet!

  302. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  303. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  304. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  305. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  306. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  307. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  308. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  309. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  310. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  311. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  312. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  313. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  314. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  315. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  316. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  317. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  318. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  319. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  320. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  321. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  322. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  323. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  324. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  325. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching - you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  326. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  327. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  328. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  329. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  330. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  331. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  332. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  333. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  334. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  335. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  336. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  337. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  338. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  339. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  340. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  341. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  342. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  343. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  344. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  345. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  346. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  347. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  348. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  349. Mp5Drummer says:

    @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  350. Mp5Drummer says:

    [..YouTube..] @deathwurst I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  351. Mp5Drummer says:

    [..YouTube..] I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  352. Mp5Drummer says:

    I see what you’re saying, but there’s a point in more rhythmically complex music where you have to know and understand this stuff to have a hope of figuring out what’s going on and being able to keep up. Most popular music wouldn’t really use many of the advanced techniques Aaron is teaching – you can of course easily play a rock or funk tune on feel alone, knowing nothing more than “backbeat on 2 and 4”. It gets a lot harder when you try to improvise to Tool or Periphery!

  353. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  354. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  355. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  356. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  357. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  358. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention  and enjoy what i understand and new ideas,thank you Mp

  359. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  360. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  361. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  362. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  363. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  364. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  365. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  366. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  367. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  368. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  369. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  370. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  371. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath  my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  372. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  373. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  374. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  375. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  376. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  377. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  378. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  379. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  380. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  381. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  382. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  383. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  384. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  385. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  386. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  387. deathwurst says:

    @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  388. deathwurst says:

    [..YouTube..] @Mp5Drummer yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  389. deathwurst says:

    [..YouTube..] yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  390. deathwurst says:

    yes ,clearly clear,to learn all aarons patterns my pc has to stand beneath my drums,but it isn`t,so i listen to all this with attention and enjoy what i understand and new ideas,thank you Mp

  391. mihaidrums says:

    [..YouTube..] Hey man, great lessons, but your PDF’s don’t work…..

  392. mihaidrums says:

    [..YouTube..] Hey man, great lessons, but your PDF’s don’t work…..

  393. mihaidrums says:

    Hey man, great lessons, but your PDF’s don’t work…..

  394. [..YouTube..] @mihaidrums Hey man, thanks! I had some issues with spam on my site, so I’ve shut it down temporarily. If you wanna send me an email, I’ll send you the PDF(s) 🙂
    a.edgardrum{at}gmail.com

  395. [..YouTube..] Hey man, thanks! I had some issues with spam on my site, so I’ve shut it down temporarily. If you wanna send me an email, I’ll send you the PDF(s) 🙂
    a.edgardrum{at}gmail.com

  396. aaronedgardrum says:

    Hey man, thanks! I had some issues with spam on my site, so I’ve shut it down temporarily. If you wanna send me an email, I’ll send you the PDF(s) 🙂
    a.edgardrum{at}gmail.com

  397. blight4hire says:

    [..YouTube..] didn’t you change the tempo? i dont’ get it! its confuising!

  398. blight4hire says:

    didn’t you change the tempo? i dont’ get it! its confuising!

  399. [..YouTube..] I did not! It was an illusion, I changed the subdivison which is a very different thing. It SOUNDS like I changed the tempo. Check the PDF transcription 🙂

  400. aaronedgardrum says:

    I did not! It was an illusion, I changed the subdivison which is a very different thing. It SOUNDS like I changed the tempo. Check the PDF transcription 🙂

  401. snoozymoo says:

    Thanks for the lessons Aaron, u mentioned ‘feeling that pulse’. Which is the pulse which should we be feeling? should be be feeling the main 1 2 3 4 notes on the hats, or should we be feeling the 8th notes and the 8th note triplets? I totally understand the concept, but i dont know what to feel. (sounds weird, but hope you get what i mean) thanks for these great lessons once again

  402. aaronedgardrum says:

    Always go for the quarter note as your pulse to feel. Even in meters where it’s odd to that for example 7/8, feeling as much quarter note as you can always ends up with the most pocket. 🙂

  403. snoozymoo says:

    appreciate the help, thanks!

  404. aaronedgardrum says:

    Any time 🙂